Selecting the Best and Safest Products for Your Child
Baby King has built its reputation on selling safe and high quality products for your child. Roy Pomerantz has been intimately involved with the development of all Baby King products. Baby King distributes products all over the United States and to more than 50 countries worldwide.
Baby King products comply with the Consumer Product Safety Improvement Act. Below are some things to consider when purchasing baby items for your baby.
Babies love and need close contact and infant carriers are perfect for this. All carriers should have straps that prevent your baby from crawling or falling out, firm padded head support, depth to support the back and restraining straps for use at all times.
These provide a controlled environment for cleaning babies. When choosing a bathtub check if it has slip resistant backing to prevent moving, a plug at the bottom to make draining water easy and no rough edges which can scratch children. Never leave your child alone in a bathtub.
All toys for children should meet safety standards. If your retailer has purchased from Baby King, that is one thing you do not have to worry about. When shopping for toys yourself, follow age recommendations. Toys should be large enough so they cannot be swallowed. Avoid marbles and tiny balls. Battery operated toys should have battery cases with secure screws.
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Roy Pomerantz - Practicing and Perfecting an Art Form
Skilled juggling enthusiast Roy Pomerantz has spent a good portion of his life both practicing and perfecting what he loves the most: juggling. As a child, Pomerantz almost instantly became hooked to the sport following his discovery of Carlo’s Book of Juggling, which he stumbled across while perusing through the selection of a small local magic shop. Since that time, Pomerantz has devoted much of his free time and energy to what can be one of the most physically and mentally demanding activities in the field of entertainment, and has developed a juggling act that continues to inspire and delight audiences throughout the area.
Roy Pomerantz had originally pursued an interest in magic, something his mother has been into for many years. Though he had developed his own magic act, he quickly tired of the activity, as magic had failed to provide him an effective way to properly vent his creativity. Upon his discovery of juggling, Pomerantz immediately found a way to both inspire himself and entertain others, and began working diligently towards perfecting his juggling skill while building an act he could truly be proud of. Pomerantz would devote three hours of every day to practice, and would continually refine his skill to the point where he would earn the opportunity to perform his very own act during halftime at Columbia University football games.
Though he now enjoys considerable success as a CEO of Baby King, Roy Pomerantz continues to find pleasure in the art of juggling, as well as the opportunity to perform his own juggling routine in front of enthralled audiences throughout the region.
Roy Pomerantz - 3 Ball Juggling Basics
Mastering the art of juggling often requires years of hard work, dedication and a commitment to practice. As Roy Pomerantz knows, the aspiring juggler must exercise a certain level of patience if they are to learn proper, basic and effective juggling techniques. It is only through a mastery of the basics, says Pomerantz, which a juggler can truly begin to pursue their own take on the art; to produce a visually-stimulating and awe-inspiring expression of their individuality and creativity.
Mastering three ball juggling, says Roy Pomerantz, is a great starting point for future juggling improvisation. Below, Pomerantz provides several helpful tips for practicing, and mastering, this basic juggling exercise.
--To start on your three ball juggling technique, says Pomerantz, place 2 balls in one hand, preferably the hand you write with, and the other ball in the opposite hand. Begin by tossing one ball one of the two balls in your dominant hand up in an arc towards the opposite hand.
--Once the ball you’ve thrown has reached its highest point, says Roy Pomerantz, toss the ball in the opposite hand towards your dominant hand. Catch the 1st ball you’ve thrown in the opposite hand.
--When the second ball you’ve thrown reaches the top point in the arc, says Pomerantz, toss the remaining, un-thrown ball to the other hand. The most difficult part of this exercise is often throwing the first ball again, though it can often be helpful roll the initial ball towards the front of your hand as you prepare to make the throw.
This practice, of course, can only be mastered through repetition, requiring concentration and focus if one is to succeed.
Roy Pomerantz - Juggling Great for Relaxing
Roy Pomerantz has been juggling for much of his life, and continues to find the same level of pleasure and personal satisfaction in the opportunity to entertain an audience. Though he is now the CEO of Baby King, Pomerantz finds nothing quite as thrilling or as gratifying as the opportunity to juggle for a crowd, something he consistently makes looks incredibly easy.
One of the greatest benefits of juggling, says Roy Pomerantz, is that it provides the juggler a great opportunity to relax, all the while bringing smiles, oohs and ahs to a crowd of any age. Juggling is a wonderful opportunity to make people happy while forgetting the rigors and stresses of a demanding professional schedule; a proven method for stress release that Pomerantz even taught his father.
Roy Pomerantz has often been tempted to juggle in a full-time capacity. As one who appreciates the thrill of performing for an audience, Pomerantz has enjoyed the chance to perform as a street juggler, and was even an integral part of his alma mater’s football halftime entertainment. His love of juggling almost led to a full-time career in the sport, though his commitment to academic study helped to keep him grounded, at least for the time being.
Pomerantz is proud to continue being a member of the International Juggling Association, and has even found a way to make juggling a part of his company. He can often be found entertaining audiences as a way to promote his company’s products, combining his love of entertainment with his responsibilities as the leader of a successful company.
Roy Pomerantz - Entrepreneur
Roy Pomerantz is an entrepreneur. He founded Pet King Inc., a company committed to selling safe, innovative, quality pet products. The products that Pet King sells are inspired by pets, pet owners and veterinarians. Pet King is one the fastest growing companies in its category and has partnered with ASPCA for the production of an ASPCA line of accessories.
The hard work that Pomerantz has put into the company thus far is evidenced by the company’s contributions to its industry. Pushing for the success of your business requires immense dedication and a willingness to work relentlessly until you have achieved your goal.
Not only did Roy Pomerantz start Pet King, but he has also been the CEO of Baby King for over 25 years. Baby King is an industry leader known for their safe and high quality baby products. Baby King carries a varied selection of baby products and accessories and owns several major licenses including Disney, Dora, SpongeBob, Looney Tunes and Playtex. Baby King is dedicated to safety and quality. It has been a member of Juvenile Products Manufacturers Association membership for more than 25 years.
Furthermore, Roy Pomerantz is a professional juggler, having started with the activity as a childhood passion and serious artistic pursuit. He uses his talents and entrepreneurial spirit to perform for charities and other local outreach efforts.
Roy Pomerantz Learning to Juggle
There are many different reasons why people learn how to juggle, but for a lot of people it comes down to the fun they get out of it, with the added benefit of impressing their friends.
Believe it or not, though, juggling can help make you smarter. Its been shown to boost your concentration levels, relieve stress, give you a physical workout, and provide a sense of accomplishment too. Juggling takes practice to get really good, but people are sometimes surprised at how easy it is to learn the basics. It doesn't take much in the way of equipment: all you need are a few objects that you can usually find lying around the house.
The best way to start is with a few things that are of the same size and weight, like tennis balls or bean bags. Even some rolled up socks will do. Start out in an area where you can spread out, because chances are you'll be dropping things at first.
One of the main tricks in juggling is learning what is called the swap. This involves practicing with two balls, and learning to toss one in the air at head height with one hand, and before it reaches the other, throwing a second ball into the air from the other hand.
When a lot of people think of juggling they think of clowns, and the circus. But juggling is much more than that. Not every juggler is a clown, and not every clown is a juggler. Roy Pomerantz is a highly skilled juggler who has been at it since he was a child. He graduated from Columbia College and Harvard University and was accepted into the Ringling Brothers and Barnum & Bailey Clown College.
An Entertainment Discipline
Juggling is one of the oldest entertainment disciplines there is. Its been around for at least four thousand years. There is evidence of juggling in ancient Egyptian tombs, and in many other world cultures, including the ancient Greeks and Chinese, the Aztec Indians, and Native American Indians. It seems to be a universal human pursuit.
Starting in about the early nineteenth century, juggling began to get specialized. Early jugglers were known as weight jugglers because they specialized in tossing heavy objects, such as cannonballs. Other early jugglers were known as salon jugglers, and they used to take familiar objects like top hats, gloves or canes, to entertain their audiences. Another form of juggling that began early on was equestrian juggling, which is still performed to this day. The performers would juggle objects while they rode on horseback.
One of the more unusual forms of juggling involves juggling objects using only the feet. It may be combined with acrobatics. But juggling really entered a golden age with the advent of Vaudeville in the earliest years of the Twentieth Century. Jugglers were among the most popular kinds of entertainers in theaters all over the United States during this era. Vaudeville is long gone, but there are still street performers all over the country who can be seen at summer art fairs doing all of the classic tricks that have delighted audiences for generations.
Roy Pomerantz began juggling when he was a kid, when he came across a book called Carlo's Book of Juggling. His enthusiasm for juggling was immediate, and he still works on perfecting new moves including 7 ball and 5 club juggling.
The Three Ball Cascade
The first juggling trick that most jugglers learn is called the three-ball cascade. It takes a lot of practice to get it right, but with patience most are able to master it. Once they do, students of juggling are ready to move on to more advanced tricks.
Roy Pomerantz is a highly skilled juggler who learned how from a book called Carlo's Book of Juggling, which he found in a magic shop when he was a kid. Beginning jugglers can turn to the Internet; there are many juggling videos on YouTube alone that can get you started with the basics, and then advanced tricks. Experienced jugglers say that some of the Internet videos aren't all that good, but with a little searching it's possible to weed out the ones that don't work.
There are many basic juggling tricks to learn beyond the cascade. They might be considered basic but they still look great; it's just that they don't involve any particularly complex movements or patterns. These tricks include the Sky High, Tennis, the Reverse Cascade, Under the Leg, the Columns and Columns Variations, the Arm Roll, the Flash, the Behind the Back, the One Ball Pirouette, the Shower, the Half Shower, and the Yo-Yo.
Like any discipline, the more you practice the better you'll get. Roy Pomerantz understands this. He has taken what he began learning as a boy and developed into a highly skilled juggler. He says that jugglers need great athleticism, artistic ability, and perseverance to really perfect their art.
A True Art
Juggling looks easy when you're watching those who really know what they're doing, but for those who are just starting out it can be incredibly frustrating. How do you keep all of those balls in the air? Veteran jugglers say that juggling is a true art that takes a lot of practice and a lot of patience. It's common for students of juggling to get frustrated when things aren't going right.
Those who have gone from beginner to intermediate or even master juggler say that a good juggling credo is, make the hard look easy and make the easy look beautiful. They say that like most things in life, persistence pays off, and you'll only get out of it what you are willing to put into it.
Everyone was a juggling newbie at some point, and even those who have turned into masters dropped their props when they were just getting started. Some report having practiced until their hands and fingers were getting numb, and they still felt like they weren't making any progress. When that happens it can be helpful to take a little break. But don't give up, because sometimes it's those little breaks that help the unconscious part of the brain process new data, and fix what is going on with the hand-eye coordination needed for some fancy new trick.
Roy Pomerantz began juggling when he was in his early teens and has devoted thousands of hours to perfecting his art. By now he has performed for countless audiences, and has even been seen juggling on the Good Morning America television program and CBS Nightly News.
Roy Pomerantz - Things That Shouldn’t be Juggled
The basic cascade is the building block for all juggling moves. Place one ball in your stronger hand. Throw the ball from this hand to your weaker hand. It should be thrown in an arch. The ball should be thrown slightly above your head. It should be on an even plain. Do not reach with your weaker hand to catch the ball. You control the balls. Not vice versa. It is critical you be relaxed and focused. When you have perfected this, switch hands so you are tossing from your weaker hand to your stronger hand.
When you have mastered this move, place two balls in your dominant hand and one ball in your weaker hand. Throw one of the dominant hand balls to the weaker hand. As soon as the ball starts to descend from its maximum height, throw the ball from the weaker hand along the same path, underneath the oncoming ball. After the ball is thrown, the weaker hand will need to catch the oncoming ball. Repeat the same process when this ball reaches is highest point. Throw the ball from the opposite hand in your dominant hang along the same path. You are now performing the most basic juggling move called the cascade. You can watch some jugglers on you tube to see how the cascade works. Keys to perfecting this critical juggling move are as follows:
1. Different heights. Juggle each ball higher. Keep the balls at the same height. Juggle the balls lower while at the same height.
2. Straightening out your arms. The natural position when juggling is with your arms bent at a ninety degree angle. To make your juggling look more seamless, Pomerantz suggests you work on juggling at a hundred eighty degree angle with your arms straight down. This is much more difficult, but makes your juggling look effortless.
3. Eye independence. Juggle in front of a mirror while looking at the mirror. You can see your juggling moves and make sure all your throws are even. This will also start you on the way to not having to look directly at the balls while doing all the moves. The next step is removing the mirror and just looking straight at an audience while juggling instead of at the props. Making eye contact creates a much stronger connection between you and the audience. The final step would be juggling with a blindfold. This is always a crowd pleaser and strengthens your juggling skills.
4. Walking/jogging while juggling. Pomerantz used to perform in his college marching band. Doing tricks while marching solidified a lot of his moves. Joggling (juggling while jogging or running) is also great practice and exercise. Try walking backwards, to the side and in circles while juggling.
5. Spread your arms like wings. One of Pomerantz’s favorite moves is to stretch your arms like wings and continue to juggle the cascade. Varying the height of the balls is also very effective as a practice tool and visual feast for your audience.
6. Marathon juggling. There are world records for juggling without stopping. This builds strength, accuracy and stamina.
7. Different objects. Any object which can be thrown from one hand to the other can be juggled in a cascade. A great way to impress your audience is having them challenge you by throwing different objects on stage. Pomerantz suggests making sure you have multiple options to increase the likelihood of success with this challenge. The most common objects which are juggled using the cascade pattern are clubs, rings and balls. With clubs, you have the added challenge of a spin (or multiple spins). Many jugglers feel rings are easier than balls because you can grab them to reduce the potential for drops.
Roy Pomerantz has been juggling for over four decades. He has performed at art festivals, store openings, hospitals, trade expositions, discos and comedy cubs. He has even entertained on the steps of the New York Public Library.
Roy Pomerantz - Putting Together Your Juggling Attire
Roy Pomerantz is a juggling professional who has been successful for creating a look and routine that is uniquely his own. The first part of that formula is of utmost importance, as your look is what you will be recognized by when you are not engaged in your act. Below are some basic tips on how to put together your juggling attire so that you are setting yourself up to be separated from the rest.
Starting At the Top
When it comes to putting together a look for your juggling act, start with that smiling face that people will be watching as you focus on juggling different props. Lots of jugglers and similar acts will paint their faces, wear neat hats or wigs and do a number of other things to their upper half. Think of a theme to start with at your head that you can apply downwards on your body.
Most jugglers prefer to wear some kind of costume or flashy attire to cover their torsos and legs. By putting together numerous different designs, they can show off their unique characteristics through an eye-grabbing costume. One unifying factor, however, is that many prefer clothing that is looser on the arms so they can have a full range of motion.
Roy Pomerantz - The Pros and Cons of Practicing Alone
Roy Pomerantz became a professional juggler by practicing for thousands of hours. He has practiced alone, with friends and also with a coach. Below are some observations:
- Benefits of practicing alone. Any time you have a practice partner or coach, you need to coordinate schedules. A huge perk of juggling is you can take your props with you anywhere. When practicing alone, you are not dependent on anyone and can do it anywhere. No piano is needed. No baseball field. No ice. No orchestra. Roy Pomerantz travels all over the world for his import business. He always stays in hotels that have conference rooms with high ceilings for night time practice. Most often, he is not questioned about his practice regiment even with expensive chandeliers at risk. Hotel officials just assume he is a hired performer getting ready for his act. Pomerantz has also practiced on the streets of Hong Kong, Bangkok. San Paulo, New Delhi, Rome et al.
- Cons of practicing alone. Coaching helps. Like any sport, form is critical and some approaches to new moves are better than others. Like most jugglers, Roy Pomerantz has been largely self taught. There are local baseball clinics, tennis programs, karate classes, dance studios, etc. For the most part, these do not exist for jugglers in training. Juggling can also at times be dangerous especially with props like fire, hatchets and knives. Having a coach present can be critical in the event of an emergency. A coach can also help if you pull a muscle or become dehydrated joggling or pursuing some of other form of highly aerobic juggling.
- Pros of juggling with a friend. Roy Pomerantz has noticed that a lot of children gravitate towards other arts and sports because there are so few jugglers in their community to provide them with motivation, companionship and inspiration. Friends can serve as mentors and provide emotional support during hours of tedious practice. They can provide critical feedback on routines. "Passing" is also one of the most enjoyable forms of juggling. But to do it right requires a committed juggling partner.
In all of his juggling experience, Roy Pomerantz has experimented with numerous different objects to find what suits him best and pleases his audiences the most. Throughout all of this trial and error, he had encountered numerous categories of items that are probably best not juggled. Below are some of the props that may not be best for a juggling act, and why.
The heavier the object is, the tougher it will be to juggle. Juggling heavy objects can be dangerous to you and your audience if dropped.
Large objects are also not ideal for juggling for many reasons. It is hard to grip a single large item, let alone multiple oversized props. Also, the items might hit each other mid-air due to the space they take up.
Roy Pomerantz - Inspiring Beginning Jugglers
Roy Pomerantz, a professional juggler who has been featured in “The New York Times” and appeared on Good Morning America and CBS Nightly News, says that anyone can become skilled at juggling. The secret is practice. Even ten minutes a day can get you on the right track.
He was interested in magic as a kid, but became frustrated when it did not allow him to fully explore his creativity. He turned to juggling after discovering a book that would ultimately change his life, Carlo’s Book of Juggling. He quickly mastered all of the tricks and began moving on to more difficult techniques.
While focused on improving and deepening his understanding of the skill, he chose to attend Columbia College because New York City had a thriving juggling community. He found a community there where he could share and learn alongside other performers.
Mentorship is an important concept in the juggling community, and Pomerantz was thrilled to have been invited to study at the New York School for Circus Artists by the world-renown juggler, Michael Moschen. Moschen emphasized combing dance and juggling, looking at the audience while juggling, and being an innovator.
Roy Pomerantz knows that helping young people learn how to juggle builds self-esteem. By developing acts that are unique and speak clearly to the personality of the performer, juggling transcends mastering tricks.
Juggling is about finding creative ways to showcase discipline, grace, and individuality.
Roy Pomerantz - The Numerous Health Benefits of Juggling
Roy Pomerantz, an experienced professional juggler, advocates juggling to improve one’s health. With a deep focus on keeping all the balls in the air, you won’t even realize that you’re exercising. Other benefits of juggling:
- You can take juggling with you anywhere. No gym membership necessary here, you can take your balls, scarves, or beanbags with you no matter where in the world you are. You only need a small amount of space, and you never have to depend on good weather. As an aerobic exercise, you can get your heart pumping without ever leaving your home or office.
- Juggling is excellent for stress relief. All of your surroundings melt away because you’re so deeply focused on what you’re doing, and you can return to your work more focused. Even just a few minutes can change the entire course of the day.
- It can be easy to forget our upper body muscles, and juggling ensures that these areas stay fit and fully functional. The range of motion in the arms and shoulders tends to decrease over time, but juggling is a sure-fire way to keep everything moving properly.
- Most importantly, juggling is fun, and rather than building up the willpower to go to the gym or head outside for a run, it feels more like a game in which you entirely forget that you are exercising.
Roy Pomerantz has performed in front of thousands of people on the streets of New and always looks forward to his next act.
Roy Pomerantz - Improving Your Juggling Technique
Roy Pomerantz knows that anyone can learn how to juggle with a small amount of dedication and commitment. However, pushing through to the next level to perform really incredible tricks takes more time and practice. While juggling is a great way to relax and exercise, those who are looking for a more serious career should consider taking the following steps:
- Find or build a community. Connect with other jugglers so that you can continue to learn and share new techniques and grow in your skills. There are many online juggling groups that you can communicate with across the globe.
- Set realistic short-term and long-term goals to keep yourself on track. Depending on your skill level, perhaps you’d like to master one new trick per week or month. Develop an idea of where you’d like to be in a year or two and take deliberate steps forward to ensure that you can reach each goal. Keep an accountability partner who can check in with you to ensure that you are moving ahead in a meaningful way.
- Go to performances often to see what other people are doing. See as many professional jugglers as you possibly can and look for opportunities to improve and innovate in your own acts. It’s important to stay up to date and be aware of what is currently happening in the community.
- Implement new props into your practice and introduce new manipulations regularly.
Pomerantz is a professional juggler who founded the Columbia University Juggling Club. He was also a featured performer at the halftime shows for the CU football and basketball games.
Roy Pomerantz - An Introduction to the History of Juggling
Juggling has a long and vast history that spans over thousands of years, though there are missing pieces and chunks that historians are still wondering about today. Roy Pomerantz knows that an appreciation of this history makes his success even more meaningful. What we do know is that even though juggling has been celebrated and admired for such a great deal of time, the role of the juggler was generally considered to be outside of mainstream society, and for that reason not many records have been discovered.
The first instance that we see juggling depicted was uncovered in an ancient Egyptian tomb, a painting of female jugglers, dancers, and acrobats that has been dated back to 2000 B.C. 1500 years later we see evidence sprout up in ancient Greece. Beginning in the 4th century A.D. up until now, a more linear historical record is available, where we can find ancient Roman art, poems, figurines, and more with depictions of juggling. However, the fall of the Roman Empire damaged the discipline and social standing of these performers.
Near the end of the Middle Ages, the practice began regaining popularity and respectability. By the 19th century, we begin to see what we understand today as the art form, where it branched into circus acts and variety shows. Now we tend to see more one-man shows, as popularized in the 1950s in the United States, as a form of recreation and entertainment.
Roy Pomerantz is thrilled to continue living his dream as a professional juggler.
Roy Pomerantz - You Control The Balls
The foundation of all juggling moves is the basic cascade. Start your training with one ball in your stronger hand. Toss the ball to your weaker hand in an arc slightly above your head. When you catch the ball, do not reach with your weaker hand because you control the balls. Not vice versa. It is critical you are focused yet relaxed when trying to perfect the basic cascade. Upon perfection of this skill, switch hands so you are tossing from weaker to stronger.
Soon enough, you should be ready to juggle a trio of balls. Place two balls in your dominant hand and one ball in your less dominant hand. Toss one of the two balls in the same arc. Just as the ball begins its descent from maximum height, throw the single ball in your weaker hand along the same arc underneath the oncoming ball. Catch the first-thrown, oncoming ball with your weaker hand, which is now free. When the second ball reaches its highest point, repeat the process. Again, again, again. If successful, you will be performing the basic cascade, one of juggling’s most basic and useful skills.
Warning: depending on how well you read and how you respond to words on the page, it may be difficult or impossible to implement the basic cascade by reading this blog post. If that’s the case, supplement this step-by-step guide with YouTube videos demonstrating the basic cascade or listen to an instructional podcast while practicing the skill. Sometimes watching what others do and trying to emulate their movement is more helpful than reading directions.
There are several key components to both perfecting and expanding the basic cascade. First, juggle the balls at relatively the same height to keep your juggling clean and controlled. Second, keep your arms straight. The natural position when you juggle is to crook your elbows at ninety degrees; however, to make your juggling appear expert and seamless, toss the balls with your arms at your side. If you master this trick, you will be a stronger and more disciplined juggler. Third, establish eye independence. Juggle in front of a mirror while looking at the mirror to ensure your arcs are even and your hands steady. This will also train you to not track the balls while tossing them, improving your skills and making you a better performer (if you aspire to juggle for an audience). Of course, the next step is to remove the mirror and practice juggling while looking out over a pseudo-audience. Making eye contact with lookers-on heightens your performance tenfold. The final step is juggling with a blindfold, but this is a particularly difficult skill that requires dozens if not hundreds of hours of practice. It’s okay if that takes quite some time to master.
Fourth, practice walking and even jogging while juggling. Some call it “joggling,” and it’s great practice as well as exercise. Try walking backwards, side-to-side, and in circles while juggling, too. Fifth, spread your arms like wings while juggling. Always a crowd pleaser, this skill requires precision when arcing the balls because you don’t want to have to scramble for catches. Varying the height of the balls is a great practice tool, too, as well as a visual feast for your audience.
Well-known American juggler Roy Pomerantz perfected the basic cascade as a child. He stands by the skill’s importance because it’s a bridge to other, more complicated and crowd-pleasing tricks. The cascade also helps aspiring jugglers understand that you control the balls. Not gravity or anything else. Pomerantz has performed at art festivals, store openings, hospitals, trade expositions, discos, comedy clubs, and on the steps of the New York Public Library. He debuted in Las Vegas at the Sahara Hotel.
Roy Pomerantz - Near-Impossible Decision
Roy Pomerantz started juggling at a young age. As a college student, he was faced with a difficult decision to choose between two very different and prestigious learning institutions: Columbia University in New York City or The Ringling Brothers and Barnum & Bailey Clown College. Pomerantz decided to stay at Columbia, but he still worked as a professional juggler post-graduation. He’s performed across the world and appeared on Good Morning America and CBS Nightly News, showing off his unique cigar box and ball routine to GMA’s audience of millions. This was a breakthrough moment in his juggling career.
Through the years, Pomerantz has entertained tens of thousands of people at his live shows. He’s a seasoned performer who knows what it takes to prepare prior to his act, ensuring success by covering all his tracks. It’s essential to stretch before doing any physical activity, especially juggling because your limbs can’t be stiff and you don’t want to experience any muscle cramps mid-way through. Also, verify your outfit is in tip-top shape days before a performance, just in case you need to see a tailor. There should be no rips or tattered threads. Your wardrobe choices should match your on-stage persona, heightening the performance by drawing audience members to your entertainment value and mystique. Practice, too. You should warm up before taking the stage. Just juggling on stage for the first time without practicing before is risky business that Pomerantz does not recommend.
Roy Pomerantz has experienced many trials in his life, and he’s faced many tough decisions. He’s happy to report everything worked out fine. He encourages others to follow their artistic dreams and to make choices based on what lies within, never thinking twice.